Sunday 15 September 2013

Insidious 2 Review


Insidious 2 is a strange beast. More silly than the original, funnier but less scary, it’s a difficult film to really get your head around. When Insidious first appeared in cinemas, I found it fresh and full of interesting ideas if a little on the silly side. For instance, the Darth Maul demon and the use of “Tiptoe through the tulips” did get a chuckle from me but I found it jumpy and good fun. However, I’m a little unsure about how I feel towards the second film.

Insidious 2 picks up hours after the ending of the first film (although a flashback does show us what happened immediately after the twist ending of the original). With Josh facing a murder investigation into the death of psychic Elise, the Lambert family move in with Josh’s mother Lorraine. Determined to put the horrible events behind them, they settle into their new life until a new gaggle of ghosts and ghouls start haunting them.

It’s at this point that the film diverges into two separate threads: the quest to uncover who the creepy old woman haunting Josh is and the re emergence of ghosts haunting the family.

The decision to pick up straight from where the first film left off is a wise decision, as is returning to the story of the Lambert family. Too many horror sequels in recent years have opted to completely change the location, casts and in some cases supernatural entity in their sequels, which makes them seem extremely disconnected from the originals. The cast of Insidious 2 are all likeable and the paranormal investigators Specs and Tucker deliver some big laughs in their expanded roles this time round.

Another aspect that caught my eye this time around was the exceptional production design, from the almost vaudeville inspired red velvet lined séance room in Elsie’s house to the cold, Victorian house in which the family are staying, everything looked stunning and oozed atmosphere. However, for every good element there was a bad one.

The decision to explore and revel just who the terrifying old woman ghost is dissolved a little of her power but since the ghost is still weird enough to unnerve, the film just about manages to pull the reveal off. The film’s tone varied wildly from one scene to the next, tense moments undone by cheesy clichés (a particular scene in “The Further” involving an old man elicited laughter from the audience I saw the film with, which I am sure was not the intended reaction). There were also too many pastiches to other horror films, the main one being The Shining (complete with the knocking down of doors and baseball bat defense). The inclusion of a few unnecessary hand-held camera shots felt like an odd choice for a film that felt up until that point to be a classic ghost story reminiscent of the old Hammer House of Horror tradition. I couldn’t help but reminded of films such as Grave Encounters and I am not sure why this element was added.

Having said all that, I found myself trying to excuse these floors while watching the film because as cheesy and as bizarre as some of the choices seemed, it is still a fun film. If you liked the original and don’t mind your horror films with a comedy element Insidious 2 is worth a watch. It fails as a horror film (the lack of terror is strange) but when all said and done, the mythology is still fresh and I’d take it over The Haunting in Connecticut any day.  

Friday 6 September 2013

She's Back...

Well I haven't posted in such a long time I thought that I would give a brief overview of what has been happening. I graduated (YAY!) with a first class honours degree (DOUBLE YAY!) and was given an award for best screenplay at graduation. Since then I have been trying to look for a job without much success. So, while I work on a little Sci fi short film I'm writing, I have decided to write little reviews of film, TV and maybe even a few comics in the mean time. To be continued...

Thursday 2 May 2013

Film Stills






A few stills from the production of Special Sauce by Danielle Casson.

Exciting Times...

We finally have a screening of our graduation films next week and I am very excited to see the finished projects. I must admit that as a writer, seeing actors and actresses saying words that you have written is an exciting albeit surreal experience.

With my graduation projects being so diverse in style and tone (Special Sauce is a horror comedy, The Furnished Room is a historical romance and The Bones Of Youth is a post-apocolyptic web series) it will be interesting to see the end results.

Roll on next week!

Wednesday 1 May 2013

Shakespeare, Shakespeare, Shakespeare!

It looks like hollywood has gotten the Shakespeare bug again as there are a couple of adaptations coming up of Macbeth and Much Ado About Nothing.

First up is Joss Whedon's new version of Much Ado About Nothing. Shot in black and white and with a fantastic jazz soundtrack on the trailer, this looks set to be an interesting take on the play.

It has also been announced that there is to be a new version of Macbeth starring Michael Fassbender and Natalie Portman.

This is definitely a good time to be a fan of Shakespeare (as I am) and I can't wait to see the new versions.

Feature Film Quandaries Or Don't Write About Brooches

I have been developing a feature film script for months now and I am extremely close to having a scene by scene breakdown. However, I have a particular quandary - and it all revolves around a brooch...

Well I never knew that a brooch could be so much hassle. The troublesome accessory isn't actually a major plot point or key prop, in actual fact it is more of a narrative bridge to a bigger reveal but I can't seem to integrate it into the plot without it sticking out like a sore thumb.

The feature film is set in the 1920's in the golden age of vaudeville. As you would expect, I am aiming to have the script chock full of opulent period details. Such as jewellery. Really annoying plot -distracting jewellery.

Well I know that I will work it out. My deadline is slowly closing in, so there's that. But still, I can figure out the confusing mystery of the brooch. Right?

Sunday 28 April 2013

Work Updates

I am working on a voice over for The Furnished Room today. The addition of archive footage has definitely brought the story alive and provided context of the war. The story of The Furnished Room is that of two lovers, Gretel and Heinrich, who are torn apart by the first world war. Heinrich promises to desert and meet Gretel in a boarding house in Berlin but when Gretel arrives he isn't there, but his belongings are...

In other film news, the web series that I co wrote has had a change of name. Revolutions has now become The Bones of Youth. This post apocalyptic drama is shaping up nicely, with some fantastic music that has been composed for the intro. Hoping to see a cut of the series soon.